The Allure of Period Colours

by J Kraus

Lord Brett Sinclair’s Bahama Yellow Aston Martin DBS in “The Persuaders!”

Ancient wisdom once held that in the vintage car market, red, white and black were the best colours for resale. However, as Bob Dylan once declared; The times they are a-changin’.

Early Porsche 911 collectors for example often seek out and pay a premium for the colours that made those cars unique to their time period: Signal Orange, Viper Green, Aubergine, Tangerine; even the more esoteric shades of Olive and Golden Green.

It takes a certain amount of self-confidence to choose out-of-the-mainstream colours. In the 60’s, men had that self-confidence. Today, not so much. Nearly everyone buys contemporary automobiles in white, silver, grey, black, or if they are bit daring, dark blue. Of course, it does not help matters that few manufacturers offer much beyond this limited palette except for the ubiquitous red and the occasional highly saturated yellow. On a positive note, after an absence of nearly forty years, Porsche has just reintroduced Ivory to their roster, and the Fiat 500 and Mini occasionally exhibit interesting colouration.

The three decades from the 1950’s through the 1970’s each featured distinct automotive colours that succinctly captured the zeitgeist of their era. Sometimes the association occurred after the fact. I doubt that anyone in the 1950′s for example would have suspected that pink cars (rare, even in-period) would come to be emblematic of the decade; nevertheless, that is what occurred. If a Hollywood director wants to evoke 1950′s America, he invariably calls for a pink Cadillac or Edsel to grace the screen.

In the early 1950’s, clear, crisp pastel colours were the order of the day. Pale green in particular was widely popular, being a favourite on Fiat 500′s and 600′s and the single most popular color in the U.S. in the early 1950’s. Toward the later part of the decade, customers gravitated to more deeply saturated mid-tone colours including aqua, turquoise, salmon and coral red. These three shades, along with the aforementioned pink, became signature colours of the era.

Fiat 1100 103 in Verde Chiaro

1955 Ford Sunliner in Aquatone Blue

57 Dodge Custom Royal in Tropical Coral and Glacier White

Renault Dauphine in Vert Claire

Citroën ID 19 in Bleu Turquoise. Nuancier DS photo.

Volkswagen 1200 in Coral Red

The 1960’s were a multifaceted decade with the early years representing a fairly abrupt (particularly in the U.S) renunciation of the automotive excesses of the late fifties. Not only did tailfins quickly retreat, so did the brighter mid-tonal colours. Pale and medium shades of turquoise, blue and green maintained their popularity, joined by pale beiges and cool yellows.

1962 Ford Thunderbird in Chalfonte Blue. Aqua blue was the defining colour of the late-50′s to mid-60′s period. Given an official imprimatur in 1956 when Eero Saarinen utilized it on exterior panels of the new GM Technical Center, it frequently appeared in architecture, home and office furnishings, apparel, automobiles and appliance faceplates. In a novel automotive application, the instrument panel of the Volvo P1800 featured aqua gauge faces from its inception in 1961 through 1969.

Porsche 912 in Champagne Yellow

1963 Studebaker Avanti R-1 in Green Mist Metallic

Volkswagen 1300 in Panama Beige. Beige was a popular perennial with BMW, Mercedes-Benz and VW buyers.

Volkswagen Type 34 Karmann Ghia in Pacific Blue. Note two-tone wheel with body-colour center used only on 1962-1963 models.

Lancia Fulvia Coupé in Azzurro Ponsacco. This jewel-tone teal blue perfectly captures the flavor of the mid-1960′s

In the middle of the decade, rich jewel-like blues and greens grew in prominence, while greys and beiges remained strong, particularly in Europe. In the latter years, yellows, ochres and oranges became ascendant and metallic gold became a popular choice for the first time.

One colour associated with the late 1960’s in the U.S. was a golden reddish-bronze metallic. It began with Ford’s Chestnut of 1962-1963 and subsequently appeared on the Chrysler Turbine car, all production models of which were painted Turbine Bronze (Ford styling chief Elwood Engle had just moved to Chrysler.) This was followed by Ford’s mid-year 1965 introduction of Emberglo, followed a few months later by Oldsmobile’s Autumn Bronze for the new Toronado, and Cadillac’s Ember Firemist. In the spring of 1966, Chrysler began offering Turbine Bronze on standard production models.

1967 Pontiac GTO in Signet Gold Metallic

Fiat 124 Spider in Giallo Colorado

NSU 1000 TT in Targa Orange

1966 Mustang GT Fastback in Emberglo Metallic

1966 Oldsmobile Toronado in Autumn Bronze Metallic

In the 1970’s, enthusiasm for saturated colours remained, and earth-toned colours became ascendant: apple greens, browns, burnt oranges, and intense warm ochre yellows. In contrast to the pure tones popular in the 50’s and early 60’s, many of these shades increasingly contained additions of ochre, sienna or umber adding a burnt, earthy or muddy effect. Browns became quite pervasive in the mid-70′s and remained so for the rest of the decade. While attempts have periodically been made to bring back brown, to date they have not succeeded.

Alfa Romeo Alfasud Ti in Verde Matese

Peugeot 504 Coupé in Brun Métalisée

Renault 5 TL in Orange. This was a typical 70′s warm “burnt” orange. Notice how it differs from the clear, cool orange of the NSU above.

Volkswagen Passat LS in Panama Brown

Audi 100 Coupé S in Corona Yellow. Note that this warm yellow contains a strong orangish brown component, marking it as a typical 70′s yellow in comparison to the cool 60′s yellows of the Porsche and Fiat shown above.

Buying a vintage car in a period-specific colour greatly heightens the nostalgic appeal of driving a piece of history. Below is a table of selected colours that are particularly evocative of their period. It is by no means exhaustive.

Manufacturer Decade Model Colour
Alfa Romeo 1950′s-60’s Giulietta Celeste Blue
BMC 1960’s Various Fiesta Yellow
Chrysler (U.S.) 1960’s Various Turbine Bronze
1960′s-70′s Various Bahama Yellow
1970’s Various Panther Pink
Plum Crazy
Citroën 1950’s DS Capucine
Ecaille Blonde
Bleu Turquoise
Fiat 1960′s-70′s Various Positano Yellow
Ford (U.S.) 1950’s Various Coral Sand
1960’s Various Emberglo
1970’s Various Grabber Blue
Lamborghini 1960′s-70′s Miura Miura Green
Miura Orange
Miura Blue
Mercedes-Benz 1960’s All DB270 Blue Green
DB304 Horizon Blue
DB140 Silver Grey
DB463 Copper Metallic
DB226 Moss Green
1970’s All DB504 English Red
DB406 Cayenne Orange
Porsche 1960’s All Bahama Yellow
1960′s-70′s All Signal Yellow
Tangerine
1970’s All Aubergine
Lilac
Signal Orange
Viper Green
Leaf Green
Rose Red
Saab 1970’s All Amber Yellow
Burnt Orange
Volkswagen 1960’s Beetle Bahama Blue
Sea Blue
Java Green
1970’s All Clementine
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4 thoughts on “The Allure of Period Colours

  1. I’ve conversed with many a poor soul trying to get their Alfa Romeo back to Graphite Grey, Celeste, Bluette Metallic, Olive or many others from the one-time ubiquitous Alfa Red. Well done as usual Mr. K.

    Matt

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