James Kraus
The New Look: 1960 Chevrolet Impala
In the early decades of motordom, front grills stood tall and proud, reflecting the proportions of early radiators. Headlamps, originally housed in separate housings, began being integrated into the cars design in the late 1930s. Nevertheless, grills and headlamps remained separate elements with the exception of Peugeot, which placed the headlamps near the centre of the car, behind the grill. Continue reading
James Kraus
Porsche poster celebrating success at the 50th Targa Florio, their sixth overall victory at the storied venue. A few months later Porsche introduced the open-top 911 Targa.
By 1966, the Suave Sixties were slowly morphing into the Swinging Sixties. Currents of change were coursing through the worlds of design, fashion, music and entertainment. It was to be the last full year of the classic sixties before profound mutations would transform the closing years of the decade.
1966 was a particularly fertile year for the Italian auto industry. The colourful and stylish Gianni Agnelli assumed control of the Fiat empire, commuting to corporate headquarters in his Ferrari 365 P Berlinetta Speciale. Continue reading
by James Kraus
1960 Ford Starliner. A touch of gold lends a lustrous sparkle of Jet Age swank
Since the dawn of the first horseless carriages, automobiles have been accented by shimmering metallic highlights. The earliest period of motoring is in fact popularly known as the Brass Era due to early radiators, acetylene headlamps and other accoutrements being constructed of brass, or protected by brass plating to resist high temperatures and corrosion. Brass was largely superseded by polished nickel plating in the early 1920s, producing a more durable surface and increased tarnish resistance. Finally, nickel was replaced by chromium which offered the advantages of being nearly tarnish and maintenance free. Continue reading
by James Kraus
Salon International de l’Auto, Geneva Switzerland, March 1963
1963 saw the Jet Age in full swing as the first Learjet took to the skies and a number of automobiles were launched that would become icons of the 1960s; one of which is still with us today. Continue reading
by James Kraus
Pau Grand Prix, Pyrénées-Atlantiques, France, 1962
Auto Universum continues its decade-long 50th Anniversary of the Sixties series with a look back at 1962.
If you missed seeing Maurice Trintignant claim the chequered flag at the Grand Prix de Pau on Easter Sunday fifty years ago, you still had the chance to witness plenty of exciting automobile introductions, architectural presentations, product unveilings and cultural events that took place throughout the year.
by James Kraus
Lord Brett Sinclair’s Bahama Yellow Aston Martin DBS in The Persuaders!, 1971
Ancient wisdom once held that in the vintage car market, red, white and black were the best colours for resale. However, as Bob Dylan once declared; The times they are a-changin’.
Early Porsche 911 collectors for example often seek out and pay a premium for the colours that made those cars unique to their time period: Signal Orange, Viper Green, Aubergine, Tangerine; even the more esoteric shades of Olive and Golden Green. Continue reading
by James Kraus
1964 Porsche 904 Carrera GTS. A masterwork in the annals of badging: cursive lettering, gold-plating, diagonal orientation, and unique placement flowing over the curved transition from rear deck to rear quarter panel
Free-flowing cursive script is not often seen on automobiles today. It still survives at Alfa Romeo, Ford, Lamborghini, Maserati and Porsche. Outside this quintet it is rare indeed. In days past, cursive was common throughout the industry.
Such longhand script was often utilized to enable casting a complete badge out of a single piece of metal. The alternative was to either run block letters together, or connect individual block characters with a bar across the top (à la Ferrari,) a bar at the bottom (typified by BMW and Mercedes-Benz) or through the centre in the style of Alfa Romeo.
Pre-war cars used cursive scripting almost exclusively, although badging itself was generally minimal or nonexistent. In the 1900’s manufacturer nameplates were usually affixed only to the front of the radiator, and model designations were not displayed. In the thirties, even this practice declined, with most vehicles displaying the manufacturer’s name only via a stylized logo atop the radiator shell. After the war, marque and model badging began proliferating and begat its own art form.
by James Kraus
Messerschmitt Me 109 fighter powered by a Mercedes-Benz V12 fed with Bosch fuel injection
World War II, and the events preceding, did much to seed the development of automotive fuel injection. The concept of injecting precise amounts of fuel into the engine, as opposed to relying on vacuum to draw in approximately the right amount always held promise. The potential of overcoming the carburettor drawbacks of sensitivity to g-forces and altitude changes increased the allure. The war sped things along.
By 1940, Italy was suffering from widespread fuel shortages due largely to the vast amounts of gasoline Mussolini sent to Spain in support of Generalísimo Francisco Franco’s Nationalists during the Spanish Civil War. Shortages intensified when export of petroleum products to Italy was banned by the League of Nations.
by James Kraus
Prototype Lamborghini V12, with chief designer Giotto Bizzarrini, Ferrucio Lamborghini and chassis designer Gian Paolo Dallara. Sant’Agata, Italy, 1963
Please join me in saluting ten automobile engines that conquered time and defied obsolescence. Engines with staying power. All have all been offered for sale in the world’s most competitive markets for over 40 years. They represent a full range, from inline and opposed twins to V12’s in sizes ranging from 0.4 litre to 6.8 litres. Some were conceived as cost-no-object exercises; others, humble workhorse engines of the people. Still others were robust mainstream powerplants that attained immortality in the crucible of competition. A few are still available. Read the rest of this entry ››
A group of Fiat 600's, a Fiat 1200 Granluce and a pair of Alfa Romeo Giulietta Berlinas pass by Piazza San Pietro, Città del Vaticano
The owners of a Ford Fairlane, a Fiat 1100 103e and an Alfa Giulietta Berlina take in some skiing in Cortina d’Ampezzo
by James Kraus
1968 BMW 2800CS riding on unusually elegant alloy wheels featuring a polished chrome centre cap discreetly concealing the mounting lugs. Visible fasteners on a contemporary automobile are generally considered to represent a lack of refinement, yet seem to be embraced when they appear on otherwise highly stylized wheels. These were produced for BMW in Italy by FPS (Foundry Pedrini Siena).
Today, alloy wheels are all but ubiquitous and are used by automobile manufacturers as a key styling feature, often used to differentiate model ranges and equipment specification. They started becoming popular with the general public in the 1980’s, but were in fact offered sporadically since 1924.
Previous to the development of the alloy wheel, wheels were formed of two pieces of pressed steel, the rim and the disc, either welded or riveted into a single unit. Or, they were fabricated of a steel or aluminium rim, connected to a centre hub by metal spokes. A transitional design was a hybrid utilizing a steel disc for strength and an aluminium rim for weight saving. Such a design was used by Porsche and Jaguar in the 1950’s. Another example was the Borrani Bimetal, used on several Italian sporting models.
