It’s hard not to notice how exhaust tips have evolved into fetish items over the past decade-and-a-half. Overly stylized and comically oversized, they have become carbuncles defacing the stern of the majority of mid and upper-range vehicles currently on offer.
Continue readingCategory Archives: Volkswagen
Erstwhile Days of Spare Wheels Bivouacked in the Engine Bay
It could be argued that the first automobile designs to seriously address efficient space utilization were the prewar Fiat Topolino, and the postwar Fiat 600 and Citroën DS; both the latter introduced in 1955.
Continue readingThe Debut of 1960s Star Designs
Auto Universum has added an exciting new Page: 1960s Star Designs. You can access it here, or hit its permanent tab on the menu bar above.
Art and the Automobile
Art and the Automobile
Art and the Automobile: The VW Beetle Sculptures of Ichwan Noor
James Kraus
The VW Beetle has probably appeared in more artwork than any other vehicle. In 2011, Indonesian sculptor Ichwan Noor added to the Beetle’s catalogue raisonné when he began a series of lifesize full-scale VWs transformed into to perfect spheres and cubes. Continue reading
The 1960s New Look
James Kraus
In the early decades of motordom, front grilles stood tall and proud, reflecting the proportions of early radiators. Headlamps, originally housed in separate housings, began being integrated into the cars design in the late 1930s. Nevertheless, grilles and headlamps remained separate elements with the exception of Peugeot, which placed the headlamps near the centre of the car, behind the grille. Continue reading
Deutschland Über Alles
James Kraus
A survey was just published indicating the “Made in Germany” label is the most coveted by consumers worldwide amongst all possible “Made in …” labels.
What made it this way? The Volkswagen. Continue reading
The Swinging Sixties: A Rainbow of Wheels and Technicolor Tyres
James Kraus
The majority of today’s cars today come equipped with black tyres surrounding wheels (or wheel covers) of silver, grey or black. This was not always the case; brightly coloured wheels were a common automotive styling fillip beginning with the 1886 Benz Patent-Motorwagen. Continue reading
Image from the Past
The People’s Car. Then and Now.
James Kraus
On Sunday, the Auto Universum Board of Governors attended the Greystone Mansion Concours d’Elegance in Beverly Hills. This grand affair entailed a $120 admittance fee and boasted a splendid field including a Ferrari 250 SWB, a pair of 300 SLs, a Porsche 356 America Roadster, Alfa 6C 2500, Bugatti Type 57, 1930 V16 Cadillac and many other pedigreed swells. Continue reading
1960s: The Ascent of Black
James Kraus
The latter half of the 1950s was a jubilant, optimistic era when life was comfortable and the future looked bright. In Britain, post-war food rationing was lifted, France was in the midst of Les Trente Glorieuses and Germany was celebrating Wirtschaftswunder. In the U.S., Wall Street, Madison Avenue, Abstract Expressionism, Modernist architecture and Cool Jazz made New York the global focal point of both art and commerce. Continue reading
The Corvair Line: Styling Sensation Of The 1960s
by James Kraus
The Corvair Line is an accent line that circumnavigates the entire vehicle, front, sides and back, visually dividing the body into upper and lower sections. It can rise and fall, curve and bend, but must be unbroken, with neither beginning nor end. Continue reading
Art and the Automobile
Image from the Past
The Cars of James Bond: Volkswagen 1300
by James Kraus
Although one of the most popular and iconic cars of the 1960s, the Volkswagen Beetle did not play a role in a James Bond film until the very end of the decade. In 1969, a VW 1300 is driven in Switzerland by agent Shaun Campbell, Bond’s MI6 backup, in the sixth movie of the series; On Her Majesty’s Secret Service. The Volkswagen is used to trail Bond through the Bernese Oberland en route to Blofeld’s Allergy Clinic. The discreet VW was a wise choice as covert Alpine transport with its generous ground clearance, carefree air-cooling system and rear-engine traction. Although not provided for product placement by Volkswagenwerk AG, the Beetle used was nonetheless the very latest model. Continue reading
Image from the Past
The Allure of Period Colours
by James Kraus
Ancient wisdom once held that in the vintage car market, red, white and black were the best colours for resale. However, as Bob Dylan once declared; The times they are a-changin’.
Early Porsche 911 collectors for example often seek out and pay a premium for the colours that made those cars unique to their time period: Signal Orange, Viper Green, Aubergine, Tangerine; even the more esoteric shades of Olive and Golden Green. Continue reading
The Heyday of Cursive Script
by James Kraus
Free-flowing cursive script is not often seen on automobiles today. It still survives at Alfa Romeo, Ford, Lamborghini, Maserati and Porsche. Outside this quintet it is rare indeed. In days past, cursive was common throughout the industry.
Such longhand script was often utilized to enable casting a complete badge out of a single piece of metal. The alternative was to either run block letters together, or connect individual block characters with a bar across the top (à la Ferrari,) a bar at the bottom (typified by BMW and Mercedes-Benz) or through the centre in the style of Alfa Romeo.
Pre-war cars used cursive scripting almost exclusively, although badging itself was generally minimal or nonexistent. In the 1900’s manufacturer nameplates were usually affixed only to the front of the radiator, and model designations were not displayed. In the thirties, even this practice declined, with most vehicles displaying the manufacturer’s name only via a stylized logo atop the radiator shell. After the war, marque and model badging began proliferating and begat its own art form.
Read the rest of this entry ››Eine Woche in Volkswagenwerk, 1953
by James Kraus
In April of 1953, German photographer Peter Keetman (1916-2005) spent a week at the Volkswagen factory in Wolfsburg. Peter was a founding member of Fotoform, a group of German photographers whose work meshed abstraction with objectivity, often incorporating close-ups and repetition. The images resulting from the Volkswagen project eventually became some of his favourite and best known.
When Herr Keetman visited, VW was at a pivotal point in its history. The Beetle and the Type II Transporter/Microbus were the only two products Volkswagen produced. However, a third model, the Karmann Ghia, had been developed and was little more than a year from introduction. The Wolfsburg plant was still VW’s only automobile manufacturing facility, but their second European assembly plant (Hanover) was in the planning stage, and Volkswagen do Brazil was in the process of beginning pilot production.